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July 2024

 

Akeylah Imani Wellington, Sara Jean Ruiz, Lyra Purugganan
Felicity Gunn
Amber McElreath

Opening Reception
Saturday, July 20
7 – 10 p.m.

Closing Reception
Saturday, August 10
12 – 3 p.m.

About the Artists & Work

Akeylah Imani Wellington, Sara Jean Ruiz, Lyra Purugganan

When the indulgent question comes: “would we be friends if we had met as kids?”, the answer is: “what would our friendship bracelets look like?”

Working across crochet, quilts, tattooed CPR mannequin parts, pony beads, cast sugar, and elbow macaroni, Lyra Purugganan, sara jean ruiz, and akeylah imani wellington present a group show speculating on something that never happened: their child-selves meeting and befriending one another. United by a shared interest in pinks, femme ornamentation, and the evolution of the participatory web, the three explore platonic love and its expression through their various intersections. A title offered by ruiz, can we hold hands while we walk is a collection of objects made to celebrate the discovery and maintenance of angel-hair, tenderheaded-red-popsickle friendship.

Felicity Gunn

Felicity Gunn is a visual artist working between Central and Southern Ohio. Trained in print based media, Felicity strives to learn about community connection related to relative social and material environments. Her research and resulting compositions brings to light spaces unkempt as she wonders about the parallels between mismanaged systems of power and unchecked space and time within our own personal localities. She is drawn to rigid structure and resulting disorder witnessed both organically and at times, rather inorganically. These landscapes often feel like self portraits which reflect back the intricacies of identity, relational boundaries of love in life, and the complex organization of systems within our own bodies as they are repeated in nature. 

Felicity was born and raised in Columbus, OH and only left when she decided to pursue a degree in the arts. She received her BFA in printmaking from Ohio University. Throughout her time in Athens, Felicity fell deeply in love with Appalachia and often still dreams about the first time she laid eyes on the lush September landscape of that region. Currently, Felicity works as a full time artist and takes every opportunity to travel, make art, and play music with her band, Big Fat Head. Felicity is an avid sketchbook keeper and is incredibly passionate about the practice of visual consumption.

 

 

Amber McElreath 

Amber McElreath is an Akron-based assemblage and collage artist who uses found objects in her work to tell autobiographical stories in a surrealistic style. Most of the work is very small which is meant to convey intimacy and vulnerability. Her two inspirations are Frida Kahlo and Joseph Cornell. 

Amber was born in Landstuhl, Germany and raised in East Liverpool, OH. She got her BFA in Fine and Professional Arts from Kent State University and graduated with her MA in Art Therapy and Counseling from Ursuline College. She worked as an artist assistant to Brooklyn-based artists, James Seward and Erin Racheal Hudak. She has shown her artwork in the Cleveland and Akron areas. Her two-person exhibition with Karen Koch, Delivering Stores was in 2017 at the Box Gallery in Summit Artspace. She has participated in the annual members show at the Artist Archives of the Western Reserve and in a show called the Infinite Mix the YARDS Projects, in Cleveland. Her new solo show will be at the Sally Otto Gallery at the University of Mount Union in August/September 2024. Her work is in private collections in Ohio, Pennsylvania, Virginia, New York, Georgia, Washington, and Maryland.

Amber is a Board-Certified Art Therapist and the Intern Coordinator at the Art Therapy Studio. She belongs to the Artist Archives of the Western Reserve, Artists of Rubber City, and Akron Soul Train. She is represented by Gallery 202 at 78th Street Studios in Cleveland.

Her assemblages are autobiographical in content, and often surrealistic. Amber trys to convey the emotions surrounding events. She creates thru the lens of her career as an art therapist.

Once objects are paired together, a narrative emerges. She starts having a “dialogue” with her artwork. Even though dialoguing sounds like she is having a conversation with inanimate objects, this is a process where She’s asking herself questions and giving myself answers. By externalizing the conversation, it helps the meaning become more accessible to her. This helps unearth her subconscious feelings so she can move forward with a clear intent. Amber uses basic theories from art therapy concerning symbolism and color. I consider how they represent or relate to specific emotions. While the specifics of her life events might be mired in symbolism within her work, there are universal emotions present in which the viewer can relate. 

Because Amber’s process and feelings filter thru her subconscious, she often ends up with a surrealistic outcome. By disregarding the original purpose of an item, changing the scale of certain parts within the work, or by placing together items that juxtapose one another, the appearance of the piece is usually dream-like. My work presents a different view of the human experience. Sometimes the viewer can see parts of her story within the work and sometimes their own life experiences inform their interpretation. Amber’s goal is to tell her story in her own way, process her emotions, and have the viewer connect with her work on an emotional level.

 

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